![]() She recently won the KCACTF Region II Award for Distinguished Scenic Design for The Curious Incident of the Dog in the Nighttime at Albright College, where she teaches and directs. Recent credits include designs for Tony Award-winning companies such as the Dallas Theater Center and Trinity Rep, and smaller scale but equally important work for companies like Second Thought Theater. (Scenic Designer) Dahlia Al-Habieli is an award-winning scenic designer and educator who strives to create performance spaces that are an invitation to conversation. ![]() Mark is a graduate of Brown University (BA) and Fordham (MA). Mark serves as the curator of the Script-In-Hand and Radio Theatre Series for The Westport Country Playhouse and is a faculty member at Fordham University and New York’s JWS Studio, teaching courses on Hitchcock, film adaptation, and playwriting. As an actor, he appeared on Broadway in The 39 Steps and Philadelphia, Here I Come!, Off-Broadway in Tryst, The Shaughran, Small World, Checkers, As Bees In Honey Drown and more, and has performed on numerous regional stages including The Alley, The Kennedy Center, The Pioneer and many others. Mark's directing work has been seen extensively at The Alley Theatre, Westport Country Playhouse, Irish Rep, White Heron, Florida Rep, Florida Studio Theatre, George Street, Penguin Rep, The Fulton, Arkansas Rep, Theatre Squared, Hudson Stage and many more. He is an Edgar Award nominee for his adaptation of The Chronology Protection Case, and co-writer of the short screenplay Kill Me (Adirondack FilmFest). Mark is the creator/author of original radio drama for White Heron Theatre and NPR’s Ghost Light Series, featuring such luminaries as Christopher Plummer and Judy Ivey. Mark is the author of Off-Broadway’s A Sherlock Carol, currently playing at New World Stages and The Dingdong, which premiered Off Broadway and continues to play on stages across the country. (Writer) returns to VSC having directed 2018’s Hound Of The Baskervilles and writing and directing VSC’s A Murder At Fernly Hall, presented virtually earlier this year. Tom and his wife Wallis are the proud parents of Mireille Julia and Annika Christine. in Theatre and Economics, and the University of California, San Diego MFA directing program, where he was the assistant director on the original production of The Who’s Tommy. A member of the Stage Directors and Choreographers Society, Tom is a graduate of Wesleyan University (Middletown, CT) with a B.A. Other Los Angeles credits range from King Lear to The Devil With Boobs. As the founder of FreightTrain Shakespeare in Los Angeles, he earned a Drama-Logue Award for his direction of Pericles. He also directed The Little Prince at the 2007 Edinburgh Fringe Festival. Tom is an Associate Artist at PlayMakers Repertory Company in Chapel Hill where he directed An Enemy of the People, Shipwrecked! An Entertainment, The Life and Adventures of Nicholas Nickleby, and The Little Prince. AsPreviously as Artistic Director of Cape Fear Regional Theatre (CFRT), Tom produced over 35 plays and directed the World Premiere of Downrange: Voices from the Homefront, a play based on interviews with military spouses from Fort Bragg. Pre-pandemic, Tom traveled to Minneapolis where he directed Twelfth Night at the Guthrie Theater. At the Wells, Tom has directed Pride and Prejudice, and The Santaland Diaries, and Matilda The Musical. She is a teaching artist for The Warehouse Theatre in Greenville, SC.(Director) is the sixth Artistic Director and the second Producing Artistic Director in Virginia Stage Company’s 40 year history. Select costume design credits include: Cat on a Hot Tin Roof (Spartanburg Little Theatre), and The Odd Couple (Mill Mountain Theatre). She was a costume design assistant for Bob, Elemeno Pea, and Heist! at Actors Theatre of Louisville. Amanda has produced and co-produced theatre in Seattle and The New York International Fringe Festival. Poppenghul) at Mill Mountain Theatre A Christmas Carol at Virginia Stage Company Night of The Iguana at Berkshire Theatre Festival Rough Magic at The Hangar Theatre. Select acting credits include: The Cake (Jen) and In The Next Room, or The Vibrator Play (Catherine Givings) at The Warehouse Theatre The Importance of Being Earnest (Gwendolen), Who Am I This Time? (Kate), at Lean Ensemble Theater Constellations (Marianne), Moonlight and Magnolias (Ms. ![]() Select directing credits include: 44 Plays for 44 Presidents, and A Marriage Proposal. Amanda was the director of Lean’s Cry it Out & the Assistant Director of A Doll House, Part 2. She trained in improv and sketch comedy at The Groundlings School in Los Angeles as well as Upright Citizens Brigade LA. She holds a BFA in Theatre Arts with an emphasis in Acting from Elon University, where she also studied directing and costume design. Amanda Sox is an actor, director, and teaching artist based in Greenville, SC.
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